This issue follows the Goblin as he executes a plan to take over Lucky Lobo’s gang. Spider-Man gets caught up in the scheme, not just as an obstacle but as an unwitting pawn. We also see the return of Frederick Foswell, AKA The Big Man, from Issue #10. Sure, those sentences might sound like a dry recap compared to the flavorful narration I usually provide, but the magic of this issue isn’t in its overarching plot. Instead, it’s all about the details—Spider-Man’s sharp dialogue, the human moments, and the subtle storytelling.

Life as Peter Parker

Peter Parker has a lot on his plate in this issue. After the events of the previous installment, his relationship with Aunt May takes center stage. Her concern for him is palpable: she insists he call home if he’s running late, frets over his exercise habits, and even ensures he’s well-fed. While these might seem like minor details, they shine when Spider-Man, in the middle of a fight, blocks out some goons just to call Aunt May and let her know he’s running late. That’s quintessential Peter Parker—superhero and dutiful nephew.

Then there’s Peter’s love life, which is as tangled as his webbing. His relationship with Betty Brant is on rocky ground, especially after she receives a letter from Leeds. The drama intensifies as Peter’s actions unintentionally stir up jealousy and unease. For once, though, we see the tables turn, and Peter gets a taste of the jealousy.

J. Jonah Jameson also makes his presence felt. While he isn’t at his most irritating here, his interactions with Parker—and the world at large—serve as a key narrative driver. Jonah is less a thorn in Spidey’s side this time and more a tool in the Goblin’s grand scheme.

Spider-Man: Witt and Acrobatics

Spider-Man’s trademark wit is on full display in this issue, and it feels sharper than it has in a while. His exchanges with both Lucky Lobo’s gang and later the Green Goblin remind us why he’s such a lovable and unique hero. It’s not just about the quips, though—Steve Ditko’s art captures Spider-Man’s acrobatic prowess brilliantly. Every leap, bound, and punch flows seamlessly, creating action scenes that feel alive. The combination of Spider-Man’s snarky banter and Ditko’s dynamic visuals might just make this one of the best portrayals of Spidey to date. This issue radiates promise, showing us the heights Spider-Man can achieve.

A Feeling of foreboding

The issue’s closing note leaves us with a sense of unease, a recurring theme in Spider-Man’s world. Peter is perhaps the most isolated of heroes—juggling high school, planning for college, and fighting crime all while dealing with deeply personal struggles. His problems feel incredibly relatable: grades, romantic woes, and the weight of responsibility.

This foreboding isn’t limited to the final page; it’s woven throughout the narrative. The return of Frederick Foswell, the Green Goblin’s manipulative schemes, and the mysterious letter to Betty all create an undercurrent of tension. So many threads are left dangling, promising much more to unpack in future issues.