This story references the events of my last review on Amazing Spider-Man #21, which, honestly, I felt might have worked better as a Strange Tales Human Torch solo story. For that see my last review! While I do think you could read this story on its own, it’s fair to say it clearly assumes that the events of ASM #21 have already happened.
The issue opens with the Thing trying to contact the Human Torch, who’s on a date with his girlfriend, Doris Evans. During this, Doris takes a little jab by comparing Johnny to a certain gentleman named Peter Parker. But the message interrupts their conversation, and with an enthusiastic “Flame On!” Johnny’s off.
From there, the story shifts to a hunt for the Terrible Trio, who are watching and scheming to trap the Human Torch and exact revenge. The trap almost works—except for one thing (or, rather, the Thing)!

Originality & Continuity
While I appreciate the nod to the Spider-Man storyline and the continuity, the story does feel pretty similar. Bad guys break out, set a trap, and the heroes work together to take them down. Last time, it was reluctantly; here, it’s more like brotherly teamwork. But in both cases, it’s basically the same formula.
Characters & Development
Doris & Johnny
The tension between Johnny and Doris—a girl who really doesn’t want to date a superhero—continues to build. It’s been simmering for a while, but now it seems pretty clear the end is near. I can’t say if it was obvious to the writers back then, but with hindsight, you can definitely see where this is headed.
Johnny Storm and Ben Grimm

This issue is a great testament to the brotherly bond between Johnny and Ben. We see them clash all the time, but in these solo stories, there’s a chance to watch them really work together. Here, we get to see just how much Ben cares for Johnny, and it brings real warmth to their relationship.
Story
Overall, the story didn’t live up to the excitement of the cover or the opening hype. It felt like it missed the mark on both story and action, only bringing minor character growth to the table. But even then… it’s pretty skippable.
Artwork

Dick Ayers’ use of angles and perspective is probably the strongest point here. The unique perspectives make some of the panels genuinely interesting to look at. While it doesn’t save the piece or even stand out in a major way, it’s definitely the highlight..







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