My first directive to you on this issue is simple: go read it. Seriously, I still want you to read my review (obviously), but let’s cut to the chase—it’s worth your time.

Okay, I’m going to assume you’ve read Fantastic Four #37 now. If not… well, that’s on you. I can only do so much.

This issue packs a ton of story into its pages, all set against the backdrop of Sue Storm and Reed Richards’ ongoing (and closing) wedding prep. But it’s not all flowers and cake for Sue—she’s grappling with the absence of her father, who won’t be at the wedding because, well, he’s dead. And not just dead—his fate was sealed by the Skrulls in Fantastic Four #32. Sue’s determined to get justice—or vengeance—for her father’s death, and her resolve becomes the emotional engine of the issue.

Enter Reed Richards, who may not have a reputation as the most romantic guy, but proves he’s more than willing to move heaven and earth (or, in this case, warp space) for Sue. He designs a subspace warp drive—ahead of the moon landing and the debut of Star Trek!—to take the Fantastic Four to the distant reaches of space on a mission like no other.

But, as you might expect, things don’t go according to plan. The team loses their powers mid-battle against a group of Skrulls, leaving Reed to scramble for a solution to restore their abilities and save the day. Meanwhile, there’s a subplot brimming with Skrull love, romance, and political intrigue that feels worthy of its own soap opera. I won’t spoil the ending entirely for those who ignored my earlier advice—you’ve still got time to read it yourself!

Artwork

Jack Kirby absolutely shines in this issue. From the opening scene with the Human Torch’s fiery tantrum to the emotionally charged pre-mission moments, Kirby’s art is on another level. Once the team ventures into space, we’re treated to his mind-blowing interpretations of subspace and even a full-page photo collage. It’s classic Kirby at his best, showcasing the breadth of his creativity and technical prowess. Honestly, this issue exceeded even my high expectations for his work.

Characters & Development

While the wedding plans only inch forward, the character depth in this issue is off the charts. Reed Richards demonstrates his devotion to Sue Storm in a way that goes beyond flowers or fancy dinners—he literally crosses the universe for her. Sure, science might be his first love, but Sue’s feelings clearly matter deeply to him.

Ben Grimm, aka The Thing, also gets a touching moment with Alicia. He’s reluctant to leave Earth, but it’s not because he’s afraid—it’s because he doesn’t want to be apart from her. Alicia, in turn, encourages him to go, proving once again that the Fantastic Four, Marvel’s First Family, isn’t just about the four heroes—it’s about their extended family too. Alicia’s ability to “see” the hearts and souls of those around her remains one of the most poignant aspects of her character.

Originality & Continuity

This issue hits the sweet spot of originality and continuity. Instead of leaving loose ends dangling, the Fantastic Four take the offensive, embarking on a mission to bring justice for past events. It feels organic and true to the team’s nature, reminding readers why this series excels at weaving personal stakes into larger-than-life adventures. For a 1965 comic, it’s clear Marvel was already pushing storytelling boundaries, and this issue exemplifies that evolution.

Story

So… did you read it yet?

If it’s not obvious by now, I have almost nothing bad to say about this issue. Our heroes undertake one of their greatest missions and return just in time for a wedding rehearsal. By the end, they’ve even managed to broker what seems to be a lasting peace with the Skrulls—at least for now. It’s a fitting and satisfying conclusion to a packed issue.

There you have it—a fantastic (pun intended) read that delivers on every level: art, story, character, and emotion. Don’t just take my word for it—pick it up and see for yourself!